I Left My Beloved Laptop In A Fitting Room Yesterday…Senility Is Setting In Sooner Than Anticipated

Wine

I would say that I get one solid hour of stress-free, uninterrupted writing time per week.  That doesn’t mean I only write during that one hour; it only means that I don’t have seven other things cooking simultaneously.  I can’t tell you how much I love this time.  My daughter throws back handsprings.  I type.  Hard and fast.  Generates a lot of curious stares.  Sometimes a few comments.

Yesterday was no exception.  I churned out pages and pages of backstory.  Smiling, sighing, giggling, clapping.  It was a super-productive tumbling class.  But instead of celebrating the completion of a very challenging storyline once I got home, I nearly had a coronary.

My laptop was gone.  Not in the car, not in the house.  Not ANYWHERE.

My heart literally stopped for a few seconds…until I called Justice and found out I left it in the fitting room.  As an aside, I never leave my laptop on the car because I’m afraid someone will break in and steal it.  Ironic, huh?

I haven’t fully recovered…the palpitations have slowed but I’m still reeling.  Even three glasses of wine did nothing to settle my nerves.  I should have opted for the vodka.

Getting To Know My Next Hero…It’s All About The Character Sketch

Image

Liam Hemsworth

When I decided to write Unlikely Venture, I just WROTE.  I made some notes here and there but for the most part, I found out what was going to happen as I typed.  I didn’t have the whole story mapped out, didn’t use an outline.  But that style kind of suits me.  I’m impulsive so I don’t like wasting time on the planning.  I like to jump in feet first, headed straight toward the action.

I’ve learned a lot over the past year, though.  And I’ve determined that maybe a bit of planning can go a long way.  So, while I am taking a very short hiatus from my last set of edits, I delved into book 2.  I’ve been making notes everywhere, including on my iPhone as I drive (not advisable).  Sometimes to avoid potential fender benders, I call myself and just talk through my notes so I have a voicemail as reference.  Maybe it’s time to download a voice recorder app.

Anyway, I’ve been working on character sketches for my new book.  I didn’t create these up front with book 1; it wasn’t until my editor requested them that I actually sat down to learn about my characters.  I love the robust backstories that resulted from that exercise and a lot of the detail made it into the story.  Anyway, I now recognize the importance of planning.  I could continue my helper skelter writing and eventually, I’d spin out a new tale. But it would lack depth and breadth because I wouldn’t be intimately familiar with my cast of characters.  And that’s a necessity!  You need to be connected to these people to craft a compelling story about them.

So I’ve been working on Chris, my next hero.  But before I can write about him, I need to picture him in my head.  So I’ve been Googling and finally landed on this image.  It’s exactly how I see Chris in my head.  And you know what?  The backstory is just pouring out of me now.  I just needed to make that physical association before I could really understand what he’s all about beneath the surface.

This pic of Liam totally hits the nail on the head.  He is Chris.  =)

What’s In It For Me?

Let’s face it, contemporary romance novels are ubiquitous.  So how can you differentiate yours from the rest?  This is a big part of the value prop for an author but you don’t always get an opportunity to deliver a full Power Point presentation complete with charts and Smart Art explaining why your novel commands attention.  All the elements of value prop are essential in crafting your message but here’s the deal…you need an elevator speech to convince people on the spot that you’re book is worthy of their time and money.

I’m always challenged by the 30-second spiel.  By nature, I’m very long-winded so trying to whittle down my delivery into one or two sentences throws me into a major tailspin.  Luckily, I’ve learned to tailor my writing style with the help of a very patient editor.  But summing up my fabulous manuscript into so few words?  Impossible!

The problem is, if you can’t be proactive and distinguish yourself quickly, people will automatically assume you’ve written the next Fifty Shades.  At least, that’s the assumption I’m faced with most often.

Here’s how the dialogue usually goes:

“Kristen, you wrote a book, how fantastic!  What’s it about?”

“It’s a contemporary romance novel.”

(The knowing smile and head nod)  “Oh, so it’s another Fifty Shades?”

“Haha, no.  Actually mine is much hotter.  In fact, it’s so intense that steam will rise from the screen of your e-reader and peel the paint off your walls.”

Well, there’s a very convincing value prop!  But I’ve found that it’s not exactly proper as a description for my eighty year-old aunt or my son’s preschool teacher.  So I made some changes.  I’m still working on variations but this is the latest:

“It’s an emotional tale about an unlikely romance that develops between two people and is ultimately threatened by the heroine’s risqué past.”

I typically leave out any sexual references unless specifically asked.  Not everyone would appreciate that granular a description.

The key is to generate enough interest with your elevator pitch so that it drives the potential reader directly to the Kindle e-bookstore to buy your novel.  Not an easy feat, but that’s why the value prop is so important.  Once you’ve identified all the fabulous elements of your book, you can shrink them into a meaningful sound byte, kind of like creating a tiny URL.

 

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